George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini's 'Deborah, HWV 51: Part II: Chorus - The great King of Kings will aid us too' came out on March 1, 2002. The duration of Deborah, HWV 51: Part II: Chorus - The great King of Kings will aid us too is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Deborah, HWV 51: Part II: Chorus - The great King of Kings will aid us too's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel's "Handel: Deborah" album is number 26 out of 74. In terms of popularity, Deborah, HWV 51: Part II: Chorus - The great King of Kings will aid us too is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Deborah, HWV 51: Part II: Chorus - The great King of Kings will aid us too by George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Requiem canticles: VII. Lacrimosa | Igor Stravinsky, Royal Flemish Philharmonic, Philippe Herreweghe, Ewa Wolak | A Minor | 1 | 8A | 138 BPM | ||
Semele, HWV 58, Act I: No. 19, Too Well I See, Thou Wilt not Understand Me! (Ino, Athamas) | George Frideric Handel, Dara Savinova, Lawrence Zazzo, Millenium Orchestra, Leonardo García-Alarcón | B Minor | 1 | 10A | 85 BPM | ||
Dixit Dominus: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | B Minor | 4 | 10A | 119 BPM | ||
Mitridate, re di Ponto, K. 87, Act I, Scene 11: ”Su la temuta destra” (Recitative) | Wolfgang Amadeus Mozart, Sophie Bevan, Barry Banks, Lawrence Zazzo, Klara Ek, Ian Page, The Mozartists | D♭ Minor | 0 | 12A | 111 BPM | ||
Hohe Messe in B Minor, BWV 232: No. 27, Agnus Dei | Johann Sebastian Bach, Merseburger Hofmusik, Michael Schönheit, Henriette Gödde | B Minor | 0 | 10A | 80 BPM | ||
Handel: Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | George Frideric Handel, Emmanuelle Haïm, Denis Comtet | F♯ Minor | 4 | 11A | 132 BPM | ||
L'Allegro, il Penseroso ed il Moderato (pastoral ode), I. L'Allegro: 2. Il penseroso - Accompagnato: Hence vain deluding joyes | Charles Jennens, George Frideric Handel, Christine Brandes, Lynne Dawson, David Daniels, Ian Bostridge, Alastair Miles, Orchestre de chambre de Paris, John Nelson, The Bach Choir | C Major | 1 | 8B | 141 BPM | ||
Tito Manlio, RV 778, Act I: Combatta un gentil cor | Antonio Vivaldi, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 2 | 1B | 108 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM |
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