Marc-Antoine Charpentier, David Witczak, Les Temps Présents, Dominique Serve, Olivier Schneebeli's 'David et Jonathas, H. 490, Prologue Scène 1: Où suis-je ? qu'ai-je fait ? (Saül)' came out on March 22, 2024. The duration of David et Jonathas, H. 490, Prologue Scène 1: Où suis-je ? qu'ai-je fait ? (Saül) is about 3 minutes long, at 3:27. Based on our data, "David et Jonathas, H. 490, Prologue Scène 1: Où suis-je ? qu'ai-je fait ? (Saül)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 57 in Charpentier: David et Jonathas, H. 490 by Marc-Antoine Charpentier, Les Pages du Centre de musique baroque de Versailles, Les Chantres du Centre de Musique baroque de Versailles, Les Temps Présents, Olivier Schneebeli, Jean-François Novelli, Clément Debieuvre, David Witczak, Natacha Boucher, Edwin Crossley-Mercer, Jean-Francois Lombard. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, David et Jonathas, H. 490, Prologue Scène 1: Où suis-je ? qu'ai-je fait ? (Saül) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of David et Jonathas, H. 490, Prologue Scène 1: Où suis-je ? qu'ai-je fait ? (Saül) by Marc-Antoine Charpentier, David Witczak, Les Temps Présents, Dominique Serve, Olivier Schneebeli is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Pergolesi: Confitebor: IV. Redemptionem misit | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 2 | 11A | 120 BPM | ||
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
Oedipus, Z.583: Music for a While | Henry Purcell, James Bowman, Academy of Ancient Music, Christopher Hogwood | F Major | 2 | 7B | 76 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Noel Symphony No. 4 in D Minor: II. Allegro | Michel Corrette, Arion Trio | A Minor | 1 | 8A | 174 BPM | ||
Purcell : King Arthur : Act 2 "Hither, this way, this way bend" [Soprano, Chorus] | William Christie | C Minor | 1 | 5A | 182 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Motet Jesu Meine Freude (Bwv 227) | Musica Amphion, Gesualdo Consort Amsterdam | E♭ Minor | 1 | 2A | 80 BPM | ||
Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM |
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