On 1995, the song "Purcell : King Arthur : Act 2 "Hither, this way, this way bend" [Soprano, Chorus]" was released by William Christie. The duration of Purcell : King Arthur : Act 2 "Hither, this way, this way bend" [Soprano, Chorus] is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Purcell : King Arthur : Act 2 "Hither, this way, this way bend" [Soprano, Chorus]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #9. The popularity of Purcell : King Arthur : Act 2 "Hither, this way, this way bend" [Soprano, Chorus] is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Purcell : King Arthur : Act 2 "Hither, this way, this way bend" [Soprano, Chorus] by William Christie having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Orfeo, Atto secondo: IV. In un fiorito prato | Claudio Monteverdi, Jordi Savall, Sara Mingardo, Gerd Türk, Iván García, Le Concert Des Nations | D Minor | 1 | 7A | 71 BPM | ||
Actéon, H. 481, Scene I: Allons, marchons, courons | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Major | 4 | 3B | 152 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Act 1: "Lasciate i monti, lasciate i fonti" (Ninfe, Pastori) - Ritornello | Claudio Monteverdi, Emmanuelle Haïm | D Minor | 0 | 7A | 77 BPM | ||
Gloria, RV 589: VII. Domine Deus Agnus Dei. Adagio | Antonio Vivaldi, Rinaldo Alessandrini, Concerto Italiano, Sara Mingardo | A♭ Major | 6 | 4B | 75 BPM | ||
Amarilli mia bella | Giulio Caccini, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 91 BPM | ||
Membra Jesu nostri, BuxWV 75: IVb. Ad latus: Salve latus Salvatoris | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Dido and Aeneas / Act 1: "Whence could so much virtue spring?" | Henry Purcell, Catherine Bott, Emma Kirkby, Julianne Baird, Academy of Ancient Music, Christopher Hogwood | B Minor | 0 | 10A | 170 BPM | ||
Te Deum, H. 146: IV. Per te orbem terrarum | Marc-Antoine Charpentier, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 180 BPM | ||
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM |
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