"Requiem: IV. Sanctus" by Michael John Trotta, Tenebrae, Nigel Short was released on May 3, 2024. The duration of Requiem: IV. Sanctus is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Requiem: IV. Sanctus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Requiem". In this album, this song's track order is #4. In terms of popularity, Requiem: IV. Sanctus is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem: IV. Sanctus by Michael John Trotta, Tenebrae, Nigel Short having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Greatest Day (arr. J. Wikeley for choir) | Jason Orange, Chantage, James Davey | D♭ Major | 1 | 3B | 78 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): V. Quoniam tu solus sanctus | Philip Stopford, Grace Davidson, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
Prayer to Jesus | Jordan Olson | B♭ Minor | 1 | 3A | 92 BPM | ||
true love | Rebecca Dale, Ben Russell, Richard Harwood, Klara Romac, Tom Walley, Olivia Jageurs, Tenebrae, Nigel Short, Philharmonia Orchestra | G Major | 1 | 9B | 84 BPM | ||
The Armed Man (Ensemble Version): IV. Save Me from Bloody Men | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | G Major | 2 | 9B | 127 BPM | ||
Seven Last Words: No. 2. Today, You Will Be with Me (Hodie mecum eris) | Michael John Trotta, Kansas City Repertory Singers, Kansas City Repertory Orchestra, Ben A. Spalding | D Major | 0 | 10B | 60 BPM | ||
Seven Last Words: No. 5. My God, Why Have You Abandoned Me? (Deus meus, ut quid dereliquisti me?) | Michael John Trotta, Kansas City Repertory Singers, Kansas City Repertory Orchestra, Ben A. Spalding | G Minor | 3 | 6A | 78 BPM | ||
Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Cornets Noirs, Les, Gerd Guglhör | G Minor | 1 | 6A | 121 BPM | ||
Keep Me as the Apple of an Eye | Neil Cox, The Gesualdo Six, Owain Park | B♭ Major | 1 | 6B | 81 BPM | ||
Regina cæli | Jean Langlais, Maîtrise de la Cathédrale de Strasbourg | F Major | 0 | 7B | 128 BPM |
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