Michael John Trotta, Kansas City Repertory Singers, Kansas City Repertory Orchestra, Ben A. Spalding made "Seven Last Words: No. 5. My God, Why Have You Abandoned Me? (Deus meus, ut quid dereliquisti me?)" available on January 6, 2017. The duration of Seven Last Words: No. 5. My God, Why Have You Abandoned Me? (Deus meus, ut quid dereliquisti me?) is about 3 minutes long, at 3:27. Based on our data, "Seven Last Words: No. 5. My God, Why Have You Abandoned Me? (Deus meus, ut quid dereliquisti me?)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Michael John Trotta, Kansas City Repertory Singers, Kansas City Repertory Orchestra, Ben A. Spalding's "Michael John Trotta: Seven Last Words" album is number 5 out of 7. On top of that, United States appears to be the country where this track was created. Seven Last Words: No. 5. My God, Why Have You Abandoned Me? (Deus meus, ut quid dereliquisti me?) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Seven Last Words: No. 5. My God, Why Have You Abandoned Me? (Deus meus, ut quid dereliquisti me?) by Michael John Trotta, Kansas City Repertory Singers, Kansas City Repertory Orchestra, Ben A. Spalding to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Songs, Op. 7: No. 1, Après un rêve (Arr. Rouger for Choir & Piano) | Gabriel Fauré, Katharina Schlenker, figure humaine kammerchor, Denis Rouger | B Minor | 0 | 10A | 119 BPM | ||
Mass of the Americas: I. El cantico del alba | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | C Minor | 3 | 5A | 133 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Ensemble Altera, Christopher Lowrey | B♭ Minor | 1 | 3A | 78 BPM | ||
Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
Messe Solennelle, Op. 16 - Agnus Dei | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A♭ Major | 1 | 4B | 135 BPM | ||
Dies irae | Michael John Trotta, University of South Dakota Chamber Singers, David Holdhusen | B Minor | 1 | 10A | 173 BPM | ||
Gloria | Wayne Hubbard | E♭ Minor | 1 | 2A | 171 BPM | ||
Regina caeli: I. Regina caeli laetare | Pierre de Manchicourt, El León de Oro, Marco Antonio García de Paz | G Major | 2 | 9B | 142 BPM |
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