"Seven Last Words: No. 2. Today, You Will Be with Me (Hodie mecum eris)" by Michael John Trotta, Kansas City Repertory Singers, Kansas City Repertory Orchestra, Ben A. Spalding was released on January 6, 2017. Seven Last Words: No. 2. Today, You Will Be with Me (Hodie mecum eris) is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in Michael John Trotta, Kansas City Repertory Singers, Kansas City Repertory Orchestra, Ben A. Spalding's "Michael John Trotta: Seven Last Words" album is number 2 out of 7. On top of that, United States appears to be the country where this track was created. Seven Last Words: No. 2. Today, You Will Be with Me (Hodie mecum eris) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Seven Last Words: No. 2. Today, You Will Be with Me (Hodie mecum eris) by Michael John Trotta, Kansas City Repertory Singers, Kansas City Repertory Orchestra, Ben A. Spalding to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Septem Ultima Verbum: 4. In Manus Tuas | Michael John Trotta, Nicholaus B. Cummins | E Major | 1 | 12B | 77 BPM | ||
Burial Sentences: VI. Thou Knowest, Lord | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | B♭ Major | 1 | 6B | 124 BPM | ||
Sub tuum praesidium | Antoine Brumel, The Gesualdo Six, Owain Park | C Major | 0 | 8B | 102 BPM | ||
Adam Lay Ybounden | Michael John Trotta | D Major | 0 | 10B | 60 BPM | ||
Create in Me a Clean Heart | The Concordia Choir | E Major | 0 | 12B | 84 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
Sikut Deer | Genrid Martinez | E Major | 1 | 12B | 88 BPM | ||
The Lamb | Zuzanna Koziej, Ensemble Altera, Christopher Lowrey | D♭ Major | 2 | 3B | 100 BPM | ||
Lille Almanak – Little Almanac 3 | Finn Mathiassen, Harald Herdal, Jens Peter Jacobsen, Musikstuderendes Kammerkor | G Minor | 0 | 6A | 75 BPM | ||
Arabesques: III. Fading | Joanna Marsh, Owain Park, The Gesualdo Six | A Minor | 1 | 8A | 126 BPM |
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