"Missa Jubilate Deo: Agnus Die" by Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Cornets Noirs, Les, Gerd Guglhör was released on October 2, 2012. With Missa Jubilate Deo: Agnus Die being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gerd Guglhör's "Jubilate Deo" album is number 15 out of 15. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Missa Jubilate Deo: Agnus Die's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Jubilate Deo: Agnus Die by Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Cornets Noirs, Les, Gerd Guglhör to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lille Almanak – Little Almanac 3 | Finn Mathiassen, Harald Herdal, Jens Peter Jacobsen, Musikstuderendes Kammerkor | G Minor | 0 | 6A | 75 BPM | ||
Liturgy Of St. John Chrysostom, Op. 31: Come, Let Us Worship | Lege Artis Chamber Choir, Boris Abalyan | D Minor | 1 | 7A | 79 BPM | ||
Saffo, Act I: Ah, s'egli fosse giunto | Johann Simon Mayr, Markus Schäfer, Andrea Lauren Brown, Concerto de Bassus, Franz Hauk | F Major | 1 | 7B | 81 BPM | ||
Spring: Pange Lingua – Renewal | James Morgan, Juliette Pochin, Poor Clare Sisters Arundel | E Major | 0 | 12B | 89 BPM | ||
Me miserum, quid hoc in C Minor: Aria. Concentu harmonico late exultando | Johann Simon Mayr, Andrea Lauren Brown, I Virtuosi Italiani, Franz Hauk | C Major | 2 | 8B | 76 BPM | ||
Myrthen, Op. 25: No. 10. Die Hochlander-Witwe | Robert Schumann, Andrea Lauren Brown, Thomas E. Bauer, Uta Hielscher | F Minor | 0 | 4A | 103 BPM | ||
Missa Popularis: V. Agnus Dei | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | B Minor | 1 | 10A | 139 BPM | ||
Ipsa Te Cogat | Orlande de Lassus, Maîtrise de la Cathédrale de Strasbourg | A Minor | 1 | 8A | 66 BPM | ||
Samuele: Part II Scene 4: Recitativo: Che ascoltai? (Samuele, Eli) | Johann Simon Mayr, Andrea Lauren Brown, Susanne Bernhard, Rainer Trost, Jens Hamann, Simon Mayr Choir, Ingolstadt Georgian Chamber Orchestra, Franz Hauk | F Major | 1 | 7B | 63 BPM | ||
Saffo, Act I: Ebben, t'appagherò | Johann Simon Mayr, Markus Schäfer, Andrea Lauren Brown, Concerto de Bassus, Franz Hauk | E♭ Major | 2 | 5B | 116 BPM |
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