"Ipsa Te Cogat" by Orlande de Lassus, Maîtrise de la Cathédrale de Strasbourg was released on 2015. With Ipsa Te Cogat being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Tout ce qui fait le Ciel". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. Ipsa Te Cogat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ipsa Te Cogat by Orlande de Lassus, Maîtrise de la Cathédrale de Strasbourg having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Weihnachtslieder, Op. 8: No. 3, The Three Kings (Arr. Atkins/Park) | Peter Cornelius, Owain Park, The Gesualdo Six | G Major | 1 | 9B | 95 BPM | ||
2 sacred choruses, Op. 115, MWV SD58: No. 2. Periti autem | Felix Mendelssohn, Andreas Frese, Camerata Musica Limburg, Jan Schumacher | D Major | 2 | 10B | 177 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM | ||
Christus factus Est | Maîtrise de la Cathédrale de Strasbourg | F♯ Minor | 0 | 11A | 131 BPM | ||
6 Partsongs, Op. 18 (Version for Mixed Chorus): No. 3, Venematka | Jean Sibelius, Dominante Choir, Seppo Murto | E Major | 2 | 12B | 105 BPM | ||
Prophetiae Sibyllarum: No. 1, Sibylla Persica "Virgine matre" | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 2 | 9B | 78 BPM | ||
An Easter Sequence | Kenneth Leighton, Salisbury Cathedral Boys & Girls Choir, Harriet Colley, Simon Lole, Sofia Larsson, David Halls | G Major | 1 | 9B | 67 BPM | ||
Pescador de Anclas | Schola Cantorum de Venezuela, Alberto Grau | A Major | 2 | 11B | 98 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM | ||
4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM |
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