"Mein gmüth ist mir verwirret" by Hans Leo Hassler, Amarcord was released on 2006. The duration of Mein gmüth ist mir verwirret is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Mein gmüth ist mir verwirret's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "The Book of Madrigals". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. Based on our statistics, Mein gmüth ist mir verwirret's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mein gmüth ist mir verwirret by Hans Leo Hassler, Amarcord having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deck Thyself, My Soul, with Gladness | Johann Crüger, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts | E♭ Major | 1 | 5B | 130 BPM | ||
Magnificat in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | G Major | 2 | 9B | 169 BPM | ||
Geistliche Chormusik: Die mit Tränen säen, SWV 378 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | B Minor | 1 | 10A | 68 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Entreat Me Not to Leave You | Dan Forrest, Westminster Williamson Voices, James Jordan | B♭ Minor | 1 | 3A | 104 BPM | ||
Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Cornets Noirs, Les, Gerd Guglhör | G Minor | 1 | 6A | 121 BPM | ||
The Benediction | Laestadian Lutheran Church, Viena Kontkanen | E Major | 1 | 12B | 87 BPM | ||
Missa I super Dixit Maria: Credo | Hans Leo Hassler, Ensemble Vocal Européen, Philippe Herreweghe | D Major | 1 | 10B | 132 BPM | ||
Christus factus est, WAB 11 | Anton Bruckner, The Monteverdi Choir, John Eliot Gardiner | D Minor | 0 | 7A | 124 BPM | ||
Ecce vicit Leo | Peter Philips, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 2 | 6B | 118 BPM |
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