"Christus factus est, WAB 11" by Anton Bruckner, The Monteverdi Choir, John Eliot Gardiner was released on December 20, 2000. With this song being about 5 minutes long, at 5:09, "Christus factus est, WAB 11" by Anton Bruckner, The Monteverdi Choir, John Eliot Gardiner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 11 in Bruckner: Mass in D minor; Motets by Anton Bruckner, Luba Orgonasova, Bernarda Fink, Christoph Prégardien, Eike Wilm Schulte, The Monteverdi Choir, Wiener Philharmoniker, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Christus factus est, WAB 11's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Christus factus est, WAB 11 by Anton Bruckner, The Monteverdi Choir, John Eliot Gardiner is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
Symphony No. 8 in C Minor, WAB 108: II. Scherzo: Allegro moderato - Trio. Langsam | Anton Bruckner, Wiener Philharmoniker, Pierre Boulez | D♭ Major | 1 | 3B | 125 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : I Molto moderato - Allegro moderato | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | E♭ Major | 1 | 5B | 83 BPM | ||
La Princesse lontaine - Prelude | Nikolai Tcherepnin, Russian National Orchestra, Mikhail Pletnev | A Major | 0 | 11B | 69 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 8. Sousedská. Grazioso e lento, ma non troppo, quasi tempo di valse | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | A♭ Major | 1 | 4B | 136 BPM | ||
Rondo capriccioso in E Major, Op. 14, MWV U67: 1. Andante | Felix Mendelssohn, Jan Lisiecki | E Major | 0 | 12B | 70 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo Philharmonic Orchestra, Oslo-Filharmonien | B♭ Major | 3 | 6B | 169 BPM | ||
Mutations from Bach | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 92 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
Ecce sacerdos magnus, WAB 13 | Anton Bruckner, Tenebrae, Mark Templeton, Helen Vollam, Patrick Jackman, Alexander Mason, Nigel Short | A Major | 2 | 11B | 131 BPM |
Section: 0.8538229465484619
End: 0.8576982021331787