Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè's 'Il barbiere di Siviglia: Overture (Sinfonia)' came out on January 1, 1989. Since Il barbiere di Siviglia: Overture (Sinfonia) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 32 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Il barbiere di Siviglia: Overture (Sinfonia) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il barbiere di Siviglia: Overture (Sinfonia) by Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagetto in F Major | Giacomo Puccini, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F Major | 0 | 7B | 81 BPM | ||
Carmina Burana / Uf dem Anger: Dance | Carl Orff, Chicago Symphony Orchestra, James Levine | C Major | 3 | 8B | 145 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prelude | Gabriel Fauré, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 0 | 9B | 81 BPM | ||
Otello, ossia Il moro di Venezia: Act I: Cavatina: Ah si, per voi gia sento (Otello, Jago, Choir) | Gioachino Rossini, Michael Spyres, Jessica Pratt, Ugo Guagliardo, Filippo Adami, Giorgio Trucco, Geraldine Chauvet, Sean Spyres, Hugo Colin, Leonardo Cortellazzi, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Antonino Fogliani | D Major | 7 | 10B | 100 BPM | ||
Il Barbiere di Siviglia: Finora in questa camera - Ehi, di casa! | Gioachino Rossini, Cesare Sterbini, Hertha Glaz, Giuseppe Di Stefano, Salvatore Baccaloni, Lily Pons, Jerome Hines, Alberto Erede | F Major | 2 | 7B | 79 BPM | ||
La Cenerentola / Act 1: Signore, una parola...Qui nel mio codice...Nel volto | Gioachino Rossini, Cecilia Bartoli, Enzo Dara, Alessandro Corbelli, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 3 | 8B | 137 BPM | ||
Wagner: Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | D Minor | 1 | 7A | 144 BPM | ||
Aida - Ballet Music | Philharmonia Slavonica, Henry Adolph | F Minor | 1 | 4A | 138 BPM | ||
I'te vurria vasà | Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | G Minor | 3 | 6A | 84 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM |
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