"Carmina Burana - 3. Cour d'amours: "Amor volat undique"" by Carl Orff, Lynne Dawson, San Francisco Girls Chorus, San Francisco Boys Chorus, San Francisco Symphony, Herbert Blomstedt was released on January 1, 1991. The duration of Carmina Burana - 3. Cour d'amours: "Amor volat undique" is about 3 minutes long, at 3:07. Based on our data, "Carmina Burana - 3. Cour d'amours: "Amor volat undique"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #15. In terms of popularity, Carmina Burana - 3. Cour d'amours: "Amor volat undique" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana - 3. Cour d'amours: "Amor volat undique" by Carl Orff, Lynne Dawson, San Francisco Girls Chorus, San Francisco Boys Chorus, San Francisco Symphony, Herbert Blomstedt having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kaiser (Emperor), Op. 437 : Kaiser Walzer (Emperor Waltz), Op. 437 | Strauss Festival Orchestra, Johann Strauss II | C Major | 0 | 8B | 181 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.9 Wedding March | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | C Major | 2 | 8B | 74 BPM | ||
Carmina Burana / I. Primo vere: "Veris leta facies" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | D Minor | 0 | 7A | 68 BPM | ||
Carmina Burana: In trutina | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | D Major | 1 | 10B | 105 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Ocaso De Los Dioses - Marcha Funebre | Maszella Holzapfel, Roberto Saccá. | F Minor | 0 | 4A | 64 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Die Moldau - Mein Vaterland (Má Vlast) | Bedřich Smetana, Paavo Berglund, Staatskapelle Dresden | C Major | 2 | 8B | 95 BPM |
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