A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.9 Wedding March - Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa Information

Acousticness: 96%
Danceability: 33%
Energy: 23%
Instrumentalness: 94%
Liveness: 6%
Loudness: 80%
Speechiness: 3%
Valence: 11%
Popularity: 38%
Loudness: -11.967 dB

Summary

"A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.9 Wedding March" by Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1994. With this song being about 5 minutes long, at 5:06, "A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.9 Wedding March" by Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver's "Mendelssohn: A Midsummer Night's Dream" album is number 10 out of 15. On top of that, Germany appears to be the country where this track was created. A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.9 Wedding March is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.9 Wedding March BPM

We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.9 Wedding March by Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.9 Wedding March Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Tales from the Vienna Woods - Waltz Op. 325	Johann Strauss II, Hallé, Bryden Thomson	F Major	0	7B	181 BPM
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: I. Vivace	Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans	D♭ Minor	4	12A	102 BPM
St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto	Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood	D Major	1	10B	65 BPM
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: I. Allegro	Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz	E♭ Major	3	5B	99 BPM
Artist's Life - Waltz Op. 316	Johann Strauss II, Hallé, Bryden Thomson	C Major	0	8B	98 BPM
Variations on "God Save The King" for Solo Violin, Op. 9	Niccolò Paganini, Roman Kim	G Major	2	9B	99 BPM
Grieg: Peer Gynt Suite No. 1, Op. 46: I. Morning Mood	Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen	E♭ Major	2	5B	112 BPM
La ronde des lutins, Op. 25	Antonio Bazzini, Itzhak Perlman, David Garvey	E Minor	4	9A	100 BPM
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King	Edvard Grieg, Esa-Pekka Salonen	B Minor	2	10A	104 BPM
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 7, Nocturne	Felix Mendelssohn, Rotterdam Philharmonic Orchestra, Jeffrey Tate	G Major	1	9B	96 BPM

ISRC: DEF059232101
Label: L-M Records/RCA Records

Section: 0.735797643661499

End: 0.7388501167297363