"Hymnus: Lobe den Herren, den mächtigen König" by Charles Villiers Stanford, Johann Sebastian Bach, Bach-Chor Siegen, Ulrich Stötzel, Peter Scholl was released on August 25, 2015. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 15 in Bleib bei mir, Herr - Choral Evensong by Bach-Chor Siegen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Hymnus: Lobe den Herren, den mächtigen König is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hymnus: Lobe den Herren, den mächtigen König by Charles Villiers Stanford, Johann Sebastian Bach, Bach-Chor Siegen, Ulrich Stötzel, Peter Scholl is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otche Nach | Nikolay Kedrov, Skylark Vocal Ensemble, Matthew Guard | C Major | 1 | 8B | 75 BPM | ||
Five Mystical Songs: No. 5, Antiphon | Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, Brian Rayner Cook, London Philharmonic Choir | D Major | 2 | 10B | 78 BPM | ||
To See a World | Sven-David Sandström, Musikhögskolans Kammarkör Piteå, Erik Westberg | G Minor | 0 | 6A | 84 BPM | ||
Requiem canticorum: Lux aeterna | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 1 | 11A | 133 BPM | ||
Northern Lights | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | D♭ Minor | 0 | 12A | 68 BPM | ||
Good Night, Dear Heart | Dan Forrest, Seraphic Fire, Patrick Dupre Quigley | B Major | 1 | 1B | 126 BPM | ||
Romanzen und Balladen, Book 1, Op. 67: No. 5. John Anderson | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 100 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM | ||
Angel vopiyashe, Op. 22 No. 18 | Pavel Chesnokov, Jessica Kinney, Cambridge University Chamber Choir, Graham Walker, St. John's Voices | D Major | 1 | 10B | 83 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM |
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