"Romanzen und Balladen, Book 1, Op. 67: No. 5. John Anderson" by Robert Schumann, Aquarius, Marc Michael de Smet was released on August 1, 2007. The duration of Romanzen und Balladen, Book 1, Op. 67: No. 5. John Anderson is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Romanzen und Balladen, Book 1, Op. 67: No. 5. John Anderson's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Schumann, R.: Romances and Ballads". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Romanzen und Balladen, Book 1, Op. 67: No. 5. John Anderson is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romanzen und Balladen, Book 1, Op. 67: No. 5. John Anderson by Robert Schumann, Aquarius, Marc Michael de Smet having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Études (variations) in C-Sharp Minor, Op. 13: Étude XII - Allegro brilliante | Robert Schumann, Evgeny Kissin | D♭ Major | 2 | 3B | 73 BPM | ||
Weltliche A-Cappella-Gesänge, Secular A-Cappella Choral Works Op. 42: 1. Abenständchen | Chamber Choir Of Europe, Jürgen Meier, Johannes Brahms, Reinhard Geller, Nicol Matt | G Major | 2 | 9B | 81 BPM | ||
Peccantem me quotidie a 5, T. 6 (Cantiones Sacrae, 1575) | William Byrd, Owain Park, The Gesualdo Six | G Minor | 1 | 6A | 82 BPM | ||
Mass for unaccompanied double choir: V. Agnus Dei | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 84 BPM | ||
Be Still For The Presence Of The Lord (The Holy One Is Here) | BBC Radio 4 Daily Service Singers | D Major | 0 | 10B | 76 BPM | ||
People, Look East | Harry Bramma, Choir Of All Saints Margaret Street London, Henry Parkes, Paul Brough | E♭ Major | 1 | 5B | 132 BPM | ||
The Tyger | Emil Råberg, Erik Westberg Vocal Ensemble, Virve Karen, Erik Westberg | F Minor | 0 | 4A | 143 BPM | ||
Mass for 4 Voices, T 1: Gloria | William Byrd, The Choir Of Westminster Abbey, The Choir of His Majesty's Chapel Royal, St James's Palace, Choristers from Truro Cathedral Choir, Choristers from Chapel Choir of Methodist College Belfast, Octet from the Monteverdi Choir, Andrew Nethsingha | F Minor | 1 | 4A | 97 BPM | ||
Schumann: Liederkreis, Op. 24: No. 5, Schöne Wiege meiner Leiden | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | E Major | 0 | 12B | 110 BPM | ||
Romanzen, Book 1, Op. 69: No. 3. Klosterfraulein | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 190 BPM |
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