Manon Lescaut / Act 3: All'armi! All'armi!
Giacomo Puccini, Dwayne Croft, Luciano Pavarotti, Mirella Freni, James Courtney, Federico Davia, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine
Puccini: Manon Lescaut
1:46 January 1, 1993
BPM
79
Key
E Minor
Camelot
9A

Embed

Share Link

Manon Lescaut / Act 3: All'armi! All'armi! - Giacomo Puccini, Dwayne Croft, Luciano Pavarotti, Mirella Freni, James Courtney, Federico Davia, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine Information

Acousticness
97%
Danceability
37%
Energy
42%
Instrumentalness
38%
Liveness
36%
Loudness
73%
Speechiness
11%
Valence
18%
Popularity
Loudness
-16.242 dB

Summary

"Manon Lescaut / Act 3: All'armi! All'armi!" by Giacomo Puccini, Dwayne Croft, Luciano Pavarotti, Mirella Freni, James Courtney, Federico Davia, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine was released on January 1, 1993. With Manon Lescaut / Act 3: All'armi! All'armi! being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #4. Manon Lescaut / Act 3: All'armi! All'armi! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Manon Lescaut / Act 3: All'armi! All'armi! BPM

With Manon Lescaut / Act 3: All'armi! All'armi! by Giacomo Puccini, Dwayne Croft, Luciano Pavarotti, Mirella Freni, James Courtney, Federico Davia, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Manon Lescaut / Act 3: All'armi! All'armi! Key

This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Coppelia: Act I - Valse by Léo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaCoppelia: Act I - ValseLéo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaE♭ Major05B89 BPM
Turandot, Act III: Nessun dorma (arr. for orchestra) by Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil TabakovTurandot, Act III: Nessun dorma (arr. for orchestra)Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil TabakovD Major110B85 BPM
Carmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès) by Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De ToulouseCarmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès)Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De ToulouseC Major28B137 BPM
Les Pecheurs De Perles: Je Crois Entendre Encore by Alfredo Kraus, Georges Bizet, Nicola Rescigno, Orquesta Manuel de FallaLes Pecheurs De Perles: Je Crois Entendre EncoreAlfredo Kraus, Georges Bizet, Nicola Rescigno, Orquesta Manuel de FallaA Minor18A81 BPM
Puccini: Gianni Schicchi - O, mio babbino caro by Kiri Te Kanawa, Stephen Barlow, London Symphony OrchestraPuccini: Gianni Schicchi - O, mio babbino caroKiri Te Kanawa, Stephen Barlow, London Symphony OrchestraA♭ Major24B97 BPM
Rossini: Il barbiere di Siviglia: Overture by Gioachino Rossini, Riccardo Muti, Philharmonia OrchestraRossini: Il barbiere di Siviglia: OvertureGioachino Rossini, Riccardo Muti, Philharmonia OrchestraG Major19B88 BPM
Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde)Richard Wagner, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano, Ian BostridgeB Major11B180 BPM
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) by George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie MastersonJulius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra)George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie MastersonE Major012B72 BPM
Wesendonck Lieder, WWV 91: Der Engel by Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald RunniclesWesendonck Lieder, WWV 91: Der EngelRichard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald RunniclesG Major29B126 BPM
Tosca / Act 1: Tosca / Act 1: "Recondita armonia"Giacomo Puccini, José Carreras, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin DavisE♭ Major25B102 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7566127777099609

End: 0.7617220878601074