"Kermesse in Bruges , "The Three Gifts": Act II Scene 2: Coda a la Polacca" by Holger Simon Paulli, Christian Gottschalch, Soren Mohl, Aalborg Symphony Orchestra, Peter Ernst Lassen was released on January 1, 2005. With Kermesse in Bruges , "The Three Gifts": Act II Scene 2: Coda a la Polacca being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 26 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Based on our statistics, Kermesse in Bruges , "The Three Gifts": Act II Scene 2: Coda a la Polacca's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kermesse in Bruges , "The Three Gifts": Act II Scene 2: Coda a la Polacca by Holger Simon Paulli, Christian Gottschalch, Soren Mohl, Aalborg Symphony Orchestra, Peter Ernst Lassen is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Henry VIII: Idylle ecossaise | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | F Major | 0 | 7B | 93 BPM | ||
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
La Bayadere: Variation 4: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 0 | 11B | 91 BPM | ||
Helsted / Paulli : Napoli (Music to the Bournonville's Ballet), Act 3: Pas de six, 11. Third Lady's Solo (Allegretto) | Eduard Helsted, Holger Simon Paulli, Niels Gade, London Festival Ballet Orchestra, Terence Kern, Orchestra of the London Festival Ballet | D Major | 2 | 10B | 84 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Etudes: VIII. Relevés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | F Major | 0 | 7B | 76 BPM | ||
Adam: Giselle, Act 1: No. 5 Variation I | Adolphe Adam, Terence Kern, London Festival Ballet Orchestra | A Major | 2 | 11B | 77 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): II. Mi-a-ou | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | C Major | 0 | 8B | 114 BPM | ||
The Four Seasons - Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Major | 1 | 7B | 109 BPM | ||
Flower Festival in Genzano: Pas de deux: Second Gentleman's solo | Holger Simon Paulli, Edvard Helsted, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen | E♭ Major | 1 | 5B | 87 BPM |
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