Giuseppe Verdi, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine's ' "Rigoletto / Act 1: "Questa o quella" (Ballata) (Duca)" was released on its scheduled release date, January 1, 1998. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine. The song's track number on the album is #3 out of 40 tracks. Rigoletto / Act 1: "Questa o quella" (Ballata) (Duca) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Rigoletto / Act 1: "Questa o quella" (Ballata) (Duca) by Giuseppe Verdi, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto / Act 1: "Questa o quella" (Ballata) (Duca) being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata / Act 2: "Che fai?" - "Nulla" | Giuseppe Verdi, Plácido Domingo, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 3 | 7B | 89 BPM | ||
Core 'ngrato (Arr. Chiaramello) | Salvatore Cardillo, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E♭ Major | 3 | 5B | 84 BPM | ||
Andrea Chénier / Act 1: "Colpito qui m'avete ... Un dì all'azzura spazio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | B♭ Major | 3 | 6B | 90 BPM | ||
Beatrice di Tenda / Act 2: Angiol di pace - Live | Vincenzo Bellini, Luciano Pavarotti, Joan Sutherland, Marilyn Horne, New York City Opera Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 85 BPM | ||
La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 92 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "La calunnia è un venticello" (Basilio) | Gioachino Rossini, James Levine, Ruggero Raimondi, London Symphony Orchestra | D Major | 2 | 10B | 138 BPM | ||
Pagliacci / Act 1: "Don, din, don - suona vespero" | Ruggero Leoncavallo, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | C Major | 1 | 8B | 84 BPM | ||
La Palummella | Anonymous, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | C Minor | 3 | 5A | 121 BPM | ||
L'elisir d'amore / Act 2: Alto! Fronte! | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Spiro Malas, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | G Major | 2 | 9B | 119 BPM | ||
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM |