Gioachino Rossini, Michele Pertusi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly made "Il Turco in Italia / Act 1: "Bella Italia, alfin ti miro"" available on January 1, 1998. With Il Turco in Italia / Act 1: "Bella Italia, alfin ti miro" being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 65 in the song's album "Rossini: Il Turco In Italia". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Il Turco in Italia / Act 1: "Bella Italia, alfin ti miro" is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Il Turco in Italia / Act 1: "Bella Italia, alfin ti miro" by Gioachino Rossini, Michele Pertusi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 2: Cessa di più resistere | Gioachino Rossini, Juan Diego Flórez, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 2 | 6B | 115 BPM | ||
Petite messe solennelle: Gloria: Petite messe solennelle: Gloria: VII. Cum Sancto Spiritu | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Major | 1 | 7B | 101 BPM | ||
La Cenerentola / Act 2: "Sia qualunque delle figlie" | Gioachino Rossini, Enzo Dara, Gloria Banditelli, Fernanda Costa, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Major | 3 | 10B | 140 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 9, Hochzeitmarsch "Wedding March" - No. 12, Allegro vivace come primo | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, Alexander Knox | C Major | 1 | 8B | 82 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Carmen: Act II: Toreador Song: Votre toast, je peux vous le rendre | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | F Minor | 4 | 4A | 115 BPM |
Section: 0.6764945983886719
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