Gioachino Rossini, Enzo Dara, Gloria Banditelli, Fernanda Costa, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly's ' "La Cenerentola / Act 2: "Sia qualunque delle figlie"" was released on its scheduled release date, January 1, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #7. Based on our statistics, La Cenerentola / Act 2: "Sia qualunque delle figlie"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With La Cenerentola / Act 2: "Sia qualunque delle figlie" by Gioachino Rossini, Enzo Dara, Gloria Banditelli, Fernanda Costa, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
Lucia di Lammermoor / Act 1: "Regnava nel silenzio" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 86 BPM | ||
Nessun Dorma! | Mario del Monaco | D Major | 2 | 10B | 88 BPM | ||
Stabat Mater RV 621 : Pro peccatis | Coro Canticum Novum, Accademia Barocca Hermans di Fabio Ciofini, Gloria Banditelli | D Minor | 0 | 7A | 139 BPM | ||
Giasone, Atto I Scena 8 - Scena 9: (Medea, Delfa, Giasone) | Francesco Cavalli, Concerto Vocale, Dominique Visse, René Jacobs, Gloria Banditelli, Michael Chance | D Minor | 0 | 7A | 78 BPM | ||
Tolomeo, re d'Egitto, HWV 25: Stille Amare | George Frideric Handel, Gloria Banditelli, Europa Galante, Fabio Biondi | A Minor | 0 | 8A | 128 BPM | ||
La Cenerentola / Act 1: "Non so che dir" | Gioachino Rossini, William Matteuzzi, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Major | 5 | 10B | 197 BPM | ||
Lakmé (1997 Digital Remaster): Où va la jeune indoue (Bell Song) | Maria Callas, Tullio Serafin, Philharmonia Orchestra | F♯ Minor | 1 | 11A | 131 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Luciano Pavarotti, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 2 | 12B | 83 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM |