"Dardanus: Ritournelle vive" by Jean-Philippe Rameau, Tafelmusik Baroque Orchestra, Jeanne Lamon was released on May 1, 2012. With Dardanus: Ritournelle vive being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Rameau: Dardanus - Le temple de la Gloire". In this album, this song's track order is #6. Based on our statistics, Dardanus: Ritournelle vive's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Dardanus: Ritournelle vive by Jean-Philippe Rameau, Tafelmusik Baroque Orchestra, Jeanne Lamon having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Rameau: Les Boréades, Act 2: "Borée, à la clarté dont brillaient mille éclairs" (Alphise, Abaris) | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner, Jennifer Smith, Philip Langridge | F♯ Minor | 1 | 11A | 168 BPM | ||
Suite en La: Les Trois Mains | Jean-Philippe Rameau, Alexandre Tharaud | A Minor | 2 | 8A | 136 BPM | ||
Les sauvages | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 3 | 6A | 118 BPM | ||
Rameau: Les Boréades, Act 2: "Espère tout de ce trait enchanté" (L'Amour, Alphise, Calisis, Borilée, Chœur) | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner, Elizabeth Priday, Gilles Cachemaille, Jennifer Smith, John Aler, The Monteverdi Choir | E♭ Major | 1 | 5B | 64 BPM | ||
3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM |
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