Jean-Philippe Rameau, Alexandre Tharaud made "Suite en La: Les Trois Mains" available on 2001. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Rameau: "Nouvelles suites"". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Based on our statistics, Suite en La: Les Trois Mains's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Suite en La: Les Trois Mains by Jean-Philippe Rameau, Alexandre Tharaud having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Suite Dardanus, RCT 35: 8. Chaconne (Modéré) | Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen | F Major | 1 | 7B | 117 BPM | ||
Fauré: Dolly, Op. 56: I. Berceuse | Gabriel Fauré, Nicholas Angelich, Alexandre Tharaud | D Minor | 0 | 7A | 79 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Les tourbillons | Jean-Philippe Rameau, Víkingur Ólafsson | D Major | 2 | 10B | 101 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Brahms: 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor (Piano 4-Hands Version) | Johannes Brahms, Bruce Liu, Alexandre Tharaud | F♯ Minor | 1 | 11A | 78 BPM |
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