Rameau: Les Boréades, Act 2: "Borée, à la clarté dont brillaient mille éclairs" (Alphise, Abaris)
Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner, Jennifer Smith, Philip Langridge
Rameau: Les Boréades
4:42 December 16, 2022
BPM
168
Key
F♯ Minor
Camelot
11A

Embed

Share Link

Rameau: Les Boréades, Act 2: "Borée, à la clarté dont brillaient mille éclairs" (Alphise, Abaris) - Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner, Jennifer Smith, Philip Langridge Information

Acousticness
95%
Danceability
30%
Energy
12%
Instrumentalness
0%
Liveness
54%
Loudness
64%
Speechiness
8%
Valence
14%
Popularity
Loudness
-21.806 dB

Summary

"Rameau: Les Boréades, Act 2: "Borée, à la clarté dont brillaient mille éclairs" (Alphise, Abaris)" by Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner, Jennifer Smith, Philip Langridge was released on December 16, 2022. With this song being about 5 minutes long, at 4:42, "Rameau: Les Boréades, Act 2: "Borée, à la clarté dont brillaient mille éclairs" (Alphise, Abaris)" by Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner, Jennifer Smith, Philip Langridge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 58 in the song's album "Rameau: Les Boréades". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. The popularity of Rameau: Les Boréades, Act 2: "Borée, à la clarté dont brillaient mille éclairs" (Alphise, Abaris) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Rameau: Les Boréades, Act 2: "Borée, à la clarté dont brillaient mille éclairs" (Alphise, Abaris) BPM

With Rameau: Les Boréades, Act 2: "Borée, à la clarté dont brillaient mille éclairs" (Alphise, Abaris) by Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner, Jennifer Smith, Philip Langridge having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.

Rameau: Les Boréades, Act 2: "Borée, à la clarté dont brillaient mille éclairs" (Alphise, Abaris) Key

This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo by Pietro Locatelli, Capella Istropolitana, Jaroslav KrcekConcerto Grosso in D Major, Op. 1, No. 5: I. LargoPietro Locatelli, Capella Istropolitana, Jaroslav KrcekD Major110B119 BPM
24 Préludes, Op. 28: No. 4 in E Minor by Frédéric Chopin, Martha Argerich24 Préludes, Op. 28: No. 4 in E MinorFrédéric Chopin, Martha ArgerichA Minor08A51 BPM
Le roi s'amuse: Pavane by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: PavaneLéo Delibes, Slovak Philharmonic, Ondrej LenardB♭ Major06B91 BPM
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) by Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von KarajanOrfeo Ed Euridice: Dance of the Blessed Spirits (Act II)Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von KarajanC Major18B75 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante by Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoPiano Concerto No. 2 in F Major, Op. 102: II. AndanteDmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoC Minor05A77 BPM
Les Barricades mystérieuses by François Couperin, David GreilsammerLes Barricades mystérieusesFrançois Couperin, David GreilsammerB♭ Major06B131 BPM
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto by Carl Philipp Emanuel Bach, Ana-Marija MarkovinaKeyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di moltoCarl Philipp Emanuel Bach, Ana-Marija MarkovinaA Major111B0 BPM
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo by Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoRespighi: Pini di Roma, P. 141: III. I pini del GianicoloOttorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoE Major012B81 BPM
Dido and Aeneas, Z. 626 / Act III: Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings)Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu HerzogG Minor16A77 BPM
Gavotte (Paride ed Elena) by Christoph Willibald Gluck, Johannes Brahms, Matti RaekallioGavotte (Paride ed Elena)Christoph Willibald Gluck, Johannes Brahms, Matti RaekallioA Major011B98 BPM
ISRC
FRZ208200012
Label
L-M Records/RCA Records

Section: 1.064852237701416

End: 1.068075180053711