"Hear My Prayer, O Lord" by Timothy Brown, William Carter, Marshall Marcus, Andrew Manze, Jenny Ward - Clarke, Liz Kenny, Jonathan Brown, Henry Purcell, Jan Schlapp, Choir of Clare College, Cambridge, Nicholas Parker, Tim Handley was released on December 22, 2006. The duration of Hear My Prayer, O Lord is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Hear My Prayer, O Lord's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Timothy Brown's "Miserere, Lamentations" album is number 7 out of 13. Based on our statistics, Hear My Prayer, O Lord's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hear My Prayer, O Lord by Timothy Brown, William Carter, Marshall Marcus, Andrew Manze, Jenny Ward - Clarke, Liz Kenny, Jonathan Brown, Henry Purcell, Jan Schlapp, Choir of Clare College, Cambridge, Nicholas Parker, Tim Handley to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem No. 1 in C Minor: Agnus Dei | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 128 BPM | ||
Beati omnes | Jan Pieterszoon Sweelinck, Timothy Brown, Choir of Clare College, Cambridge, Cambridge | D Minor | 0 | 7A | 69 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
4 Motets pour le temps de Noël, FP 152 | Francis Poulenc, Choir of Clare College, Cambridge, Timothy Brown | B Minor | 0 | 10A | 184 BPM | ||
Motet Jesu Meine Freude (Bwv 227) | Musica Amphion, Gesualdo Consort Amsterdam | E♭ Minor | 1 | 2A | 80 BPM | ||
Nunc Nimittis | Traditional, Choir of Clare College, Cambridge, Timothy Brown | B♭ Minor | 0 | 3A | 78 BPM | ||
Handel: Concerti a due Cori, No. 1 in B-Flat Major, HWV 332: I. Overture. Grave - Allegro ma non troppo | George Frideric Handel, Leslie Pearson, Menuhin Festival Orchestra, Yehudi Menuhin | F Major | 1 | 7B | 135 BPM | ||
Rameau: Nouvelles Suites de Pièces de Clavecin (1727), Suite in G Major, RCT 6: No. 3. Menuet I - Menuet II | Jean-Philippe Rameau, Jean Rondeau | F Major | 3 | 7B | 117 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | ||
Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte | Francis Poulenc, Netherlands Chamber Choir | C Minor | 3 | 5A | 133 BPM |
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