"François Dufault Tierce bécarre: 1 Sarabande" by Pierre Ballard, Claire Antonini was released on 2016. With François Dufault Tierce bécarre: 1 Sarabande being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pierre Ballard, Claire Antonini's "Les Accords Nouveaux - Pierre Ballard 1638" album is number 18 out of 32. On top of that, Germany appears to be the country where this track was created. In terms of popularity, François Dufault Tierce bécarre: 1 Sarabande is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of François Dufault Tierce bécarre: 1 Sarabande by Pierre Ballard, Claire Antonini to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lute Sonata No. 11 in D Minor: IV. Bourree | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Jazz Sonatina: II. Adagio Espressivo | Thibault Cauvin | E Minor | 0 | 9A | 70 BPM | ||
Le mouton: Canarie | Francesca Torelli, Charles Mouton | A Minor | 1 | 8A | 129 BPM | ||
Sonata terza a violoncello solo e basso continuo: III. Largo | Giovanni Benedetto Platti, Hanna Salzenstein, Thibaut Roussel, Albéric Boullenois | D♭ Minor | 6 | 12A | 157 BPM | ||
Basse dance Cueur angoisseux | Pierre Attaingnant, Doulce Mémoire, Denis Raisin-Dadre | G Minor | 0 | 6A | 117 BPM | ||
Pieces in D Minor and A Minor: VI. Canaries | Edward Martin, Thomas Walker | D♭ Minor | 3 | 12A | 94 BPM | ||
Violin Sonata No. 1 in D Minor: V. Presto | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | G Major | 2 | 9B | 73 BPM | ||
Lute Sonata in C Minor, Op. 1, No. 1: I. Largo | Adam Falckenhagen, Andrew Maginley | B Major | 2 | 1B | 98 BPM | ||
Prelude 2 | Francesca Torelli, Charles Mouton | F Minor | 1 | 4A | 56 BPM |
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