Jazz Sonatina: II. Adagio Espressivo
Thibault Cauvin
N°4
2:30 December 22, 2012
BPM
70
Key
E Minor
Camelot
9A

Embed

Share Link

Jazz Sonatina: II. Adagio Espressivo - Thibault Cauvin Information

Acousticness
99%
Danceability
50%
Energy
1%
Instrumentalness
96%
Liveness
9%
Loudness
47%
Speechiness
6%
Valence
25%
Popularity
Loudness
-31.753 dB

Summary

Thibault Cauvin's 'Jazz Sonatina: II. Adagio Espressivo' came out on December 22, 2012. The duration of Jazz Sonatina: II. Adagio Espressivo is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Jazz Sonatina: II. Adagio Espressivo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "N°4". In this album, this song's track order is #11. Jazz Sonatina: II. Adagio Espressivo is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Jazz Sonatina: II. Adagio Espressivo BPM

With Jazz Sonatina: II. Adagio Espressivo by Thibault Cauvin having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Jazz Sonatina: II. Adagio Espressivo Key

This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Variations on a Theme of Sor, Op. 15: Intermezzo. Andante molto espressivo by Miguel Llobet Solés, Lorenzo MicheliVariations on a Theme of Sor, Op. 15: Intermezzo. Andante molto espressivoMiguel Llobet Solés, Lorenzo MicheliE Major112B150 BPM
Aquarel by Frederik Rung, Vegard LundAquarelFrederik Rung, Vegard LundD Major010B80 BPM
Fantasie by Silvius Leopold Weiss, Jürg KindleFantasieSilvius Leopold Weiss, Jürg KindleD Minor27A82 BPM
C'era una volta il west: II. C'era una volta il west by Enea LeoneC'era una volta il west: II. C'era una volta il westEnea LeoneG Major09B113 BPM
Albumsblade: VIII. Idyl by Frederik Rung, Alberto La RoccaAlbumsblade: VIII. IdylFrederik Rung, Alberto La RoccaE Major012B92 BPM
Lacrimosa, fra Lite Rekviem by Ewa Serafin, Ole Martin Huser-OlsenLacrimosa, fra Lite RekviemEwa Serafin, Ole Martin Huser-OlsenA Major211B115 BPM
3 Miles Sketches Interludio by Alfredo da Rocha Riana, Robert O'Connor Miller, Simone Iannarelli3 Miles Sketches InterludioAlfredo da Rocha Riana, Robert O'Connor Miller, Simone IannarelliG Major09B100 BPM
Bonnie Banks of Loch Lomond by Traditional Song, Piraí VacaBonnie Banks of Loch LomondTraditional Song, Piraí VacaE Major112B71 BPM
25 Etudes, Op.60: No.5 by Matteo Carcassi, Paco Hallak25 Etudes, Op.60: No.5Matteo Carcassi, Paco HallakG Major29B79 BPM
Suite espagnole, Op. 47: VIII. Cuba by Isaac Albéniz, Thibault CauvinSuite espagnole, Op. 47: VIII. CubaIsaac Albéniz, Thibault CauvinE Major212B148 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.4510383605957031

End: 0.45714402198791504