Silvius Leopold Weiss, Robert Barto made "Lute Sonata No. 11 in D Minor: IV. Bourree" available on June 27, 1997. With Lute Sonata No. 11 in D Minor: IV. Bourree being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weiss, S.L.: Lute Sonatas, Vol. 1 - Nos. 11, 42, 49 by Silvius Leopold Weiss, Robert Barto. The song's track number on the album is #4 out of 19 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Lute Sonata No. 11 in D Minor: IV. Bourree's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Lute Sonata No. 11 in D Minor: IV. Bourree by Silvius Leopold Weiss, Robert Barto has a tempo of 153 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Lute Sonata No. 11 in D Minor: IV. Bourree being at 153 BPM, the half-time would be 76 BPM with a double-time of 306 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Corrente IX | Alessandro Piccinini, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM | ||
Folies d'Espagne | Jacques Gallot, Catherine Liddell | A♭ Minor | 0 | 1A | 93 BPM | ||
A Sonata of Scots Tunes: II. Ettrick Banks (Adagio) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 95 BPM | ||
Jouissance | Giovanni Antonio Terzi, Hille Perl | C Major | 0 | 8B | 96 BPM | ||
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 41 Allegro, n. 42 Valtz, n. 43 Andantino | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM | ||
Aurora Corrente. Capricci a Due Stromenti | Bellerofonte Castaldi, Dolce Rima, Paula Brieba del Rincón | G Major | 0 | 9B | 111 BPM | ||
Suite in D Minor: V. Les derniers paroles | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Violin Sonata No. 1 in D Minor: VII. Presto | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | A♭ Minor | 3 | 1A | 95 BPM | ||
La gambade: Menuet | Francesca Torelli, Charles Mouton | G Minor | 0 | 6A | 130 BPM |
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