Vieux Gaultier, Hopkinson Smith's 'Suite in D Minor: V. Les derniers paroles' came out on 2000. The duration of Suite in D Minor: V. Les derniers paroles is about 3 minutes long, at 3:25. Based on our data, "Suite in D Minor: V. Les derniers paroles" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vieux Gaultier: Pièces de luth by Vieux Gaultier, Hopkinson Smith. The song's track number on the album is #5 out of 21 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Suite in D Minor: V. Les derniers paroles's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Suite in D Minor: V. Les derniers paroles by Vieux Gaultier, Hopkinson Smith has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Suite in D Minor: V. Les derniers paroles being at 127 BPM, the half-time would be 64 BPM with a double-time of 254 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Pièces de viole du Cinquième Livre, suite en sol mineur: Fantaisie, V. 64 (1725) | Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman | F♯ Minor | 3 | 11A | 122 BPM | ||
Lord Strange's March, P. 65 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | ||
Pièces de viole du Second Livre, suite en si mineur: Tombeau po' Mons' de Lully, II. 95 (1701) | Marin Marais, Jordi Savall, Hopkinson Smith, Anne Gallet | B♭ Minor | 1 | 3A | 101 BPM | ||
La Canción del Emperador | Luis de Narváez, Dulces Exuviae, Bor Zuljan | F♯ Major | 1 | 2B | 75 BPM | ||
Mr. Dowland's Midnight | John Dowland, Hopkinson Smith | E♭ Major | 0 | 5B | 82 BPM | ||
La Tarantela | Gaspar Sanz, Hopkinson Smith | G Minor | 2 | 6A | 107 BPM | ||
Armoniosi toni di varie suonate musicali, Op. 7: Passacaglia | Giovanni Battista Granata, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 110 BPM | ||
Ricercar | Marco Dall'Aquila, Shirley Rumsey | F Major | 0 | 7B | 165 BPM | ||
Toccata cromatica XII | Alessandro Piccinini, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM | ||
La cascade | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM |
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