Bellerofonte Castaldi, Dolce Rima, Paula Brieba del Rincón's 'Aurora Corrente. Capricci a Due Stromenti' came out on 2013. The duration of Aurora Corrente. Capricci a Due Stromenti is about 3 minutes long, at 3:17. Based on our data, "Aurora Corrente. Capricci a Due Stromenti" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Saffo Novella. Dúos i àries de soprano i baix continu de Barbara Strozzi (1619-1677)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Spain. In terms of popularity, Aurora Corrente. Capricci a Due Stromenti is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Aurora Corrente. Capricci a Due Stromenti by Bellerofonte Castaldi, Dolce Rima, Paula Brieba del Rincón having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duets for 2 Lutes in a minor and F Major (Losy) - Allemande | Edward Martin and Paul Berget | A♭ Minor | 1 | 1A | 181 BPM | ||
A gigge | Mr Beck, Ronn McFarlane | B Major | 1 | 1B | 76 BPM | ||
Nephelai (Nymphs of the Clouds) | Michael Levy | A♭ Major | 4 | 4B | 119 BPM | ||
Sonata for Recorder and Continuo in D Minor: III. Allegro | James Paisible, Tamar Lalo, La Ritirata, Josetxu Obregon | C Major | 4 | 8B | 95 BPM | ||
Missa la Spagna: Agnus Dei | Heinrich Isaac, Doulce Mémoire, Denis Raisin-Dadre | G Major | 1 | 9B | 91 BPM | ||
Un bocconcino di fantasia | Bellerofonte Castaldi, Tenet | F♯ Major | 2 | 2B | 119 BPM | ||
[Suite en ré majeur]: II. Allemande la Flateuse (No. 48) | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 1 | 3B | 78 BPM | ||
Suite in D Minor: V. Les derniers paroles | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Partita BWV 1007 V. | Christian Zimmermann | D♭ Major | 3 | 3B | 131 BPM | ||
Falai Miña Amor | Luis de Milán, Dolce Rima | D♭ Major | 3 | 3B | 115 BPM |
Section: 0.6791491508483887
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