Marin Marais, François Joubert-Caillet, L'Achéron's '[Suite en ré majeur]: II. Allemande la Flateuse (No. 48)' came out on June 9, 2023. With [Suite en ré majeur]: II. Allemande la Flateuse (No. 48) being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Cinquième livre de pièces de viole" album is number 15 out of 112. On top of that, Belgium appears to be the country where this track was created. [Suite en ré majeur]: II. Allemande la Flateuse (No. 48) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of [Suite en ré majeur]: II. Allemande la Flateuse (No. 48) by Marin Marais, François Joubert-Caillet, L'Achéron to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nymphe di Rheno, Op. 8: Sonata No. 1 in B Minor: III. Corrente | Johannes Schenck, Margaret Little, Susie Napper, Les Voix Humaines | A Minor | 1 | 8A | 117 BPM | ||
The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): IV. A Merry Meeting | Tobias Hume, Matteo Cicchitti, Musica Elegentia | D♭ Minor | 0 | 12A | 94 BPM | ||
Violin Sonata No. 2 in F Major: I. — | Gottfried Finger, Veronika Skuplik, Andreas Arend | E Major | 2 | 12B | 67 BPM | ||
Pièces de viole, Book 3, Suite No. 4 in D Major: No. 54, Rondeau | Marin Marais, Alberto Rasi | D♭ Major | 1 | 3B | 78 BPM | ||
Mystery (Rosary) Sonata: No. 2 in A Major “The Visitation”: I. Sonata | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Lachrimae or Seven Tears: XVII. Mr Thomas Collier his Galliard with Two Trebles | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Sonata in G Major for viola da gamba - Adagio | Carl Friedrich Abel, Move Records, The Marais Project | G Minor | 0 | 6A | 67 BPM | ||
Paradizo | Anthony Holborne, L'Achéron, François Joubert-Caillet | D Major | 0 | 10B | 84 BPM | ||
Armide, LWV 71, Prologue: Ouverture (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | B♭ Major | 2 | 6B | 120 BPM |
Section: 0.6340980529785156
End: 0.6381206512451172