"Sonata in G Major for viola da gamba - Adagio" by Carl Friedrich Abel, Move Records, The Marais Project was released on April 8, 2021. With Sonata in G Major for viola da gamba - Adagio being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Two". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Australia. Sonata in G Major for viola da gamba - Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata in G Major for viola da gamba - Adagio by Carl Friedrich Abel, Move Records, The Marais Project having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
The False Consonances of Musick, Aria II | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
Suite No. 1 in G Minor: III. Courante | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | B Major | 1 | 1B | 104 BPM | ||
Pieza en D Major, WKO 192: I. Moderato | Carl Friedrich Abel, Pere Ros | D♭ Major | 0 | 3B | 105 BPM | ||
Sonata a 6 in D Minor, G. 24 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | C Major | 2 | 8B | 120 BPM | ||
Neubrandenburg Concerto No. 3: IV. Aria (Transcr. By Harer, after Bach's "Gedenke doch, mein Geist, zurücke" BWV 509) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F Major | 0 | 7B | 102 BPM | ||
Suite in D minor for viola da gamba - Courante | Jacques Lambert du Buisson, Move Records, The Marais Project | G Minor | 0 | 6A | 67 BPM | ||
Gammal Fäbodpsalm | Traditional Song, The Marais Project, Jenny Eriksson | G Major | 1 | 9B | 71 BPM | ||
Pieces for guitar - Prelude | Johann Anton Lost von Losinthal, Move Records, The Marais Project | G Minor | 0 | 6A | 67 BPM | ||
Violin Sonata No. 1 in A Major, C. 138: III. Adagio | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM |
Section: 0.5048291683197021
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