"Four Sea Interludes Op. 33a (from Peter Grimes) (1976 Digital Remaster): II. Sunday Morning (Allegro spiritoso)" by Benjamin Britten, André Previn, London Symphony Orchestra was released on 1986. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 16 in Britten: Spring Symphony, Four Sea Interludes (Peter Grimes) by Benjamin Britten, André Previn, London Symphony Orchestra. Based on our statistics, Four Sea Interludes Op. 33a (from Peter Grimes) (1976 Digital Remaster): II. Sunday Morning (Allegro spiritoso)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Four Sea Interludes Op. 33a (from Peter Grimes) (1976 Digital Remaster): II. Sunday Morning (Allegro spiritoso) by Benjamin Britten, André Previn, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | B♭ Minor | 0 | 3A | 133 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Introduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | B Minor | 0 | 10A | 87 BPM | ||
Poulenc: Flute Sonata, FP 164: II. Cantilena | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 0 | 3A | 64 BPM | ||
Une barque sur l'océan: Très souple de rythme | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | A Major | 0 | 11B | 79 BPM | ||
German Requiem, Op. 45: Selig sind, die da Leid tragen | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
Mahler: Symphony No. 8, "Symphony of a Thousand": II. Finale Scene from Goethe's Faust, (l) "Alles Vergängliche" (Chorus Mysticus) | Gustav Mahler, Elizabeth Connell/Edith Wiens/Dame Felicity Lott/Trudeliese Schmidt/Nadine Denize/Richard Versalle/Jorma Hynninen/Hans Sotin/London Philharmonic Choir/Tiffin School Boys' Choir/London Philharmonic Orchestra/Klaus Tennstedt, Klaus Tennstedt, London Philharmonic Orchestra | E♭ Major | 2 | 5B | 71 BPM |
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