"Két kánon: I. Ha folyóvíz volnék" by György Ligeti, SWR Vokalensemble Stuttgart, Yuval Weinberg, Christopher Kaplan, Philip Niederberger, Alexander Yudenkov, Bernhard Hartmann was released on March 10, 2023. The duration of Két kánon: I. Ha folyóvíz volnék is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Két kánon: I. Ha folyóvíz volnék's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in György Ligeti, SWR Vokalensemble Stuttgart, Yuval Weinberg's "Ligeti: Complete Works for a cappella Choir" album is number 14 out of 52. On top of that, Hong Kong appears to be the country where this track was created. Két kánon: I. Ha folyóvíz volnék is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Két kánon: I. Ha folyóvíz volnék by György Ligeti, SWR Vokalensemble Stuttgart, Yuval Weinberg, Christopher Kaplan, Philip Niederberger, Alexander Yudenkov, Bernhard Hartmann to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Apartment House 1776: Harmony No. 1, Cookfield | John Cage, Arditti Quartet | G Major | 0 | 9B | 104 BPM | ||
Concerto grosso no.1 (1976-77): 5. Rondo: Agitato | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | F Minor | 4 | 4A | 138 BPM | ||
4 Pezzi (Su una nota sola): I. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 87 BPM | ||
2 Thoughts About the Piano: No. 2. Catenaires | Elliott Carter, Ursula Oppens | F♯ Major | 3 | 2B | 68 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Danish String Quartet | E♭ Major | 0 | 5B | 77 BPM | ||
In Nomine-Instrumentation colorée I (2001) for flute, oboe, bass clarinet, percussion, piano, violin, viola and Violoncello | John Taverner, Gérard Pesson, Ensemble Recherche | D Major | 3 | 10B | 120 BPM | ||
3 Pieces for String Quartet: No. 3 | Igor Stravinsky, Goldner String Quartet | A♭ Major | 0 | 4B | 87 BPM | ||
String Quartet no.2 (1967-68): V. Allegro con delicatezza - stets sehr mild | György Ligeti, LaSalle Quartet | D♭ Major | 0 | 3B | 142 BPM | ||
12 Notations pour piano: XI Scintillant | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 63 BPM | ||
The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM |
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