"Apartment House 1776: Harmony No. 1, Cookfield" by John Cage, Arditti Quartet was released on February 22, 2005. With Apartment House 1776: Harmony No. 1, Cookfield being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 47 in Cage: The Works for Violin, Vol. 6 & The String Quartets, Vol. 4 by John Cage, Arditti Quartet, Irvine Arditti. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Apartment House 1776: Harmony No. 1, Cookfield is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Apartment House 1776: Harmony No. 1, Cookfield by John Cage, Arditti Quartet is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Greater Antiphons: II. O Adonai | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | D Major | 0 | 10B | 138 BPM | ||
Josquiniana: I. Helas madame | Charles Wuorinen, Brentano String Quartet | D Minor | 0 | 7A | 101 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 3 | 3B | 85 BPM | ||
Prelude II | Edmund Finnis, Sheku Kanneh-Mason | C Major | 0 | 8B | 122 BPM | ||
Fratres (Version for Wind Octet & Percussion) | Arvo Pärt, Joris Van Den Hauwe, Jan Maebe, Geert Baeckelandt, Lydia Rossignol, Francis Pollet, Bart Snauwaert, Martin Van Der Merwe, Jos Buurman, Huub Righarts | A♭ Major | 2 | 4B | 78 BPM | ||
Love In The Afternoon | Balanescu Quartet | F Major | 2 | 7B | 173 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: 15. Arioso interrotto (di Endre Szervánszky) Larghetto | György Kurtág, Parker Quartet | C Major | 0 | 8B | 176 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'èternité de Jésus | Olivier Messiaen, Tashi | F♯ Minor | 0 | 11A | 83 BPM |
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