"Fratres (Version for Wind Octet & Percussion)" by Arvo Pärt, Joris Van Den Hauwe, Jan Maebe, Geert Baeckelandt, Lydia Rossignol, Francis Pollet, Bart Snauwaert, Martin Van Der Merwe, Jos Buurman, Huub Righarts was released on April 1, 1995. Since Fratres (Version for Wind Octet & Percussion) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 9 in Arvo Pärt: Fratres by Arvo Pärt, Rudolf Werthen, I Fiamminghi (The Orchestra of Flanders). Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Fratres (Version for Wind Octet & Percussion) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fratres (Version for Wind Octet & Percussion) by Arvo Pärt, Joris Van Den Hauwe, Jan Maebe, Geert Baeckelandt, Lydia Rossignol, Francis Pollet, Bart Snauwaert, Martin Van Der Merwe, Jos Buurman, Huub Righarts is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
String Quartet, Op. 11: II. Adagio | Samuel Barber, Quatuor Modigliani | B♭ Minor | 1 | 3A | 76 BPM | ||
Requiem canticorum: De profundis | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | A Minor | 0 | 8A | 80 BPM | ||
Times Curve Prelude No. 17 | William Duckworth, Silas Bassa | D♭ Major | 0 | 3B | 121 BPM | ||
Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM | ||
Miserere, Op.44: 8. Domine Deus noster - Lento. Affenttuoso | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 133 BPM | ||
Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM | ||
A Catalogue of Afternoons | Max Richter | B Major | 1 | 1B | 206 BPM | ||
Written In Stone | Ólafur Arnalds, Alice Sara Ott | E Minor | 2 | 9A | 82 BPM | ||
Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM |
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