"Greater Antiphons: II. O Adonai" by Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste was released on November 10, 2023. The duration of Greater Antiphons: II. O Adonai is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Greater Antiphons: II. O Adonai's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 14 in Arvo Pärt: Tractus by Arvo Pärt, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Greater Antiphons: II. O Adonai's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Greater Antiphons: II. O Adonai by Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Obsolete Objects | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 2 | 8A | 162 BPM | ||
Prelude II | Edmund Finnis, Sheku Kanneh-Mason | C Major | 0 | 8B | 122 BPM | ||
Double Concerto for Violin, Piano, and String Orchestra with Percussion: III. Misterioso | Tan Dun, Daniel Hope, Alexey Botvinov, New Century Chamber Orchestra | A Minor | 3 | 8A | 103 BPM | ||
Apartment House 1776: Harmony No. 1, Cookfield | John Cage, Arditti Quartet | G Major | 0 | 9B | 104 BPM | ||
Blackfriars - String Quartet Version | Ligeti Quartet, Anna Meredith | A Minor | 3 | 8A | 147 BPM | ||
Piano & Violoncello 6 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 65 BPM | ||
A room (Two Pieces for Harp) - 1942 | John Cage, Floraleda Sacchi | D♭ Minor | 1 | 12A | 86 BPM | ||
Lamento d'Arianna | Claudio Monteverdi, Anastasia Kobekina, Azul Lima | F♯ Major | 2 | 2B | 142 BPM | ||
Shadow 1 | Max Richter | B Minor | 5 | 10A | 132 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Shadow 5 | Max Richter | D♭ Major | 5 | 3B | 67 BPM |
Section: 0.6773059368133545
End: 0.6811931133270264