Charles Villiers Stanford, Peter Jacobs made "Twenty-Four Preludes Set I, Op. 163: XV. Prelude No. 15" available on December 13, 2019. With Twenty-Four Preludes Set I, Op. 163: XV. Prelude No. 15 being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 90 in British Piano Collection Vol. I by Peter Jacobs. In terms of popularity, Twenty-Four Preludes Set I, Op. 163: XV. Prelude No. 15 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Twenty-Four Preludes Set I, Op. 163: XV. Prelude No. 15 by Charles Villiers Stanford, Peter Jacobs is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: I. Kyrie | Louis Vierne, Michel Bouvard | D♭ Minor | 2 | 12A | 73 BPM | ||
An English Suite: VI. Air | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | G Major | 0 | 9B | 91 BPM | ||
Reincarnations, Op. 16: III. The Coolin | Samuel Barber, Birmingham Conservatoire Chamber Choir, Paul Spicer | G Minor | 1 | 6A | 103 BPM | ||
3 Shakespeare Choruses, Op. 39: No. 2. Come unto these yellow sands | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | B♭ Major | 1 | 6B | 82 BPM | ||
The Passing of the Year: No. 6. Adieu! farewell earth's bliss! | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | B♭ Minor | 0 | 3A | 82 BPM | ||
Communion Service in C Major: Agnus Dei | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | A Minor | 0 | 8A | 84 BPM | ||
Ave Maria | Rebecca Clarke, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | A Minor | 1 | 8A | 140 BPM | ||
Dona Nobis Pacem Cantata: III. Reconciliation | Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, Brian Rayner Cook, Edith Wiens, London Philharmonic Choir | D Major | 2 | 10B | 78 BPM | ||
I was glad when they said unto me | Hubert Parry, Christopher Dearnley, Barry Rose | B♭ Major | 3 | 6B | 84 BPM |
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