"3 Shakespeare Choruses, Op. 39: No. 2. Come unto these yellow sands" by Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble was released on January 8, 2013. The duration of 3 Shakespeare Choruses, Op. 39: No. 2. Come unto these yellow sands is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. 3 Shakespeare Choruses, Op. 39: No. 2. Come unto these yellow sands's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Etherea Vocal Ensemble, Derek Greten-Harrison, Noah Horn's "Hymn to the Dawn" album is number 9 out of 27. 3 Shakespeare Choruses, Op. 39: No. 2. Come unto these yellow sands is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Shakespeare Choruses, Op. 39: No. 2. Come unto these yellow sands by Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Magnificat in B flat major: Suscepit Israel | Francesco Durante, Hermann Oswald, Ekkehard Abele, Thomas Hengelbrock | B Major | 0 | 1B | 105 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
4 Shakespeare Songs: No. 2. Lullaby | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | F♯ Major | 1 | 2B | 130 BPM | ||
All-night Vigil, Op. 37, "Vespers": Resurrection hymn (Troparion): This day of salvation has com to the world | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 87 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 0 | 5A | 80 BPM | ||
Quel augellin che canta | Claudio Monteverdi, Emma Kirkby, Joseph Cornwell, Anthony Rooley, Simon Grant, Andrew King, Evelyn Tubb | G Minor | 0 | 6A | 108 BPM |
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