"Livre posthume (1740): VI. Tierce en taille" by Louis Marchand, Jean-Baptiste Robin was released on July 1, 2001. The duration of Livre posthume (1740): VI. Tierce en taille is about 3 minutes long, at 3:09. Based on our data, "Livre posthume (1740): VI. Tierce en taille" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Louis Marchand, Jean-Baptiste Robin's "Louis Marchand: L'œuvre pour orgue" album is number 6 out of 23. In terms of popularity, Livre posthume (1740): VI. Tierce en taille is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Livre posthume (1740): VI. Tierce en taille by Louis Marchand, Jean-Baptiste Robin to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Œuvres pour orgue, Livre II: Suite en Fa: Basse de trompette | Louis Marchand, Frédéric Desenclos | E♭ Major | 3 | 5B | 74 BPM | ||
Les Augustales: Le théâtre s’éclaire | François Rebel, François Francoeur, Théotime Langlois de Swarte, Justin Taylor | E Minor | 1 | 9A | 122 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 67, Kommt, Seelen, dieser Tag and Komm, Gott, Schöpfer, Heiliger Geist, BWV 479 & 370 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Airs for the Spring: Ranunculus: III. Tempo di minuetto | James Oswald, The Broadside Band | A Major | 2 | 11B | 120 BPM | ||
Partita No. 5 in G Major, BWV 829: IV. Sarabande | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Trio Sonata in C Major, BuxWV 256: V. Adagio - Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM |
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