"Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 67, Kommt, Seelen, dieser Tag and Komm, Gott, Schöpfer, Heiliger Geist, BWV 479 & 370" by Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto was released on April 26, 2024. The duration of Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 67, Kommt, Seelen, dieser Tag and Komm, Gott, Schöpfer, Heiliger Geist, BWV 479 & 370 is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 67, Kommt, Seelen, dieser Tag and Komm, Gott, Schöpfer, Heiliger Geist, BWV 479 & 370's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan's "J.S. Bach - The Vocal Works" album is number 36 out of 42. On top of that, Sweden appears to be the country where this track was created. Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 67, Kommt, Seelen, dieser Tag and Komm, Gott, Schöpfer, Heiliger Geist, BWV 479 & 370 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 67, Kommt, Seelen, dieser Tag and Komm, Gott, Schöpfer, Heiliger Geist, BWV 479 & 370 by Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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St. Matthew Passion, BWV 244, Part II: No. 41, "Des Morgens aber hielten alle Hohenpriester" (Evangelista, Judas) - "Was gehet uns das an" (Chorus I & II) - "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) | Johann Sebastian Bach, Werner Güra, Johannes Schendel, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | A♭ Minor | 1 | 1A | 76 BPM | ||
Symphoniae sacrae II, Op. 10: No. 7, Ich danke dir, Herr, von ganzem Herzen, SWV 347 | Heinrich Schütz, David de Winter, The Brook Street Band | D Minor | 1 | 7A | 67 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (4) Choral (Tenore): Zion Hört Die Wächter Singen | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 0 | 10B | 166 BPM | ||
Jesu meine Freude, TWV 1:966: VII. Wie binich doch so herzlich froh | Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM | ||
Bach, JS: Mass in B Minor, BWV 232: Confiteor | Johann Sebastian Bach, Nikolaus Harnoncourt, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien | B♭ Minor | 1 | 3A | 81 BPM | ||
Jesu meine Freude (organ improvisation) | Sietze de Vries, Margaretha Consort, Marit Broekroelofs | C Major | 3 | 8B | 66 BPM | ||
Buxtehude: Membra Jesu nostri, BuxWV 75: VI. Ad cor. "Vulnerasti cor meum" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | C Minor | 0 | 5A | 69 BPM | ||
Der Tod Jesu, Pt. 1: Chorus: Du, dessen Augen flossen (Chorus) | Carl Heinrich Graun, Arcis-Vocalisten, L'arpa Festante, Thomas Gropper | B Minor | 1 | 10A | 164 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: VI. Recitative "Ja doch getrost, mein Herz!" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Sebastian Myrus | F♯ Major | 2 | 2B | 137 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: IV. Recitative "Denn eben darum setzte sich mein Jesu" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, William Shelton | F♯ Major | 2 | 2B | 137 BPM |
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