On May 3, 2024, the song "Partita No. 5 in G Major, BWV 829: IV. Sarabande" was released by Johann Sebastian Bach, Martin Helmchen. With this song being about 5 minutes long, at 4:41, "Partita No. 5 in G Major, BWV 829: IV. Sarabande" by Johann Sebastian Bach, Martin Helmchen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 40 in Bach: Six Partitas by Johann Sebastian Bach, Martin Helmchen. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Partita No. 5 in G Major, BWV 829: IV. Sarabande is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Partita No. 5 in G Major, BWV 829: IV. Sarabande by Johann Sebastian Bach, Martin Helmchen is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Sonata a 6 in D Minor, G. 24 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | C Major | 2 | 8B | 120 BPM | ||
Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
I. Gott Ist Mein König BWV 71, 7. Choral (Coro): Das Neue Regiment | Holland Boys Choir, Netherlands Bach Collegium, Katherin Steddon, Sytse Buwalda, Bas Ramselaar, Anneke Boeke, Knut Schoch, Frank Aarnink, Ofer Frenke, Johann Sebastian Bach, Ruth Holton, Peter Frankenberg, Pieter Jan Leusink | D♭ Major | 1 | 3B | 83 BPM | ||
Aria et variationes in D Major | Gottfried Finger, Petr Wagner, Ensemble Tourbillon | A♭ Major | 0 | 4B | 119 BPM | ||
Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: III. Réjouisaance | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Nach dir, Herr, verlanget mich, BWV 150: V. Aria "Zedern müssen von den Winden" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Maarten Engeltjes, Thomas Hobbs, Edward Grint | E Major | 4 | 12B | 101 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: V. Flaterie | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Major | 1 | 2B | 73 BPM | ||
Sonata sesta in G Major: II. Con Spirito ma non presto | Mrs Philarmonica, Le Consort | F♯ Major | 3 | 2B | 70 BPM |
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