Holland Boys Choir, Netherlands Bach Collegium, Katherin Steddon, Sytse Buwalda, Bas Ramselaar, Anneke Boeke, Knut Schoch, Frank Aarnink, Ofer Frenke, Johann Sebastian Bach, Ruth Holton, Peter Frankenberg, Pieter Jan Leusink made "I. Gott Ist Mein König BWV 71, 7. Choral (Coro): Das Neue Regiment" available on December 20, 2006. The duration of I. Gott Ist Mein König BWV 71, 7. Choral (Coro): Das Neue Regiment is about 3 minutes long, at 3:12. Based on our data, "I. Gott Ist Mein König BWV 71, 7. Choral (Coro): Das Neue Regiment" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 28 in Bach Cantatas (Complete) Part: 53 by Holland Boys Choir, Netherlands Bach Collegium. I. Gott Ist Mein König BWV 71, 7. Choral (Coro): Das Neue Regiment is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of I. Gott Ist Mein König BWV 71, 7. Choral (Coro): Das Neue Regiment by Holland Boys Choir, Netherlands Bach Collegium, Katherin Steddon, Sytse Buwalda, Bas Ramselaar, Anneke Boeke, Knut Schoch, Frank Aarnink, Ofer Frenke, Johann Sebastian Bach, Ruth Holton, Peter Frankenberg, Pieter Jan Leusink is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Ich weiss, dass mein Erloser leb, TWV 1:873: Aria | Georg Philipp Telemann, Stefanie Wüst, Angela Froemer, Georg Poplutz, Jens Hamann, Siegen Collegium Vocale, Hannoversche Hofkapelle, Ulrich Stötzel | B Major | 1 | 1B | 115 BPM | ||
I. Nun Danket Alle Gott BWV 192, (3) Coro: Lob, Ehr Und Preis Sei Gott | Pieter Jan Leusink, Sytse Buwalda, Knut Schoch, Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Peter Frankenberg, Johann Sebastian Bach, Marjon Strijk, Kristin Linde, Doretthe Janssens, Marion Moonen | D♭ Major | 3 | 3B | 53 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: O hilf, Christe, Gottes Sohn (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A Minor | 2 | 8A | 61 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 6. Aria (Basso) (Versus V): Hier Ist Das Rechte Osterlamm | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Du wahrer Gott und Davids Sohn, BWV 23: Chorale: Christe, du Lamm Gottes | Johann Sebastian Bach, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 2 | 11A | 84 BPM | ||
Matthäus Passion, Parte Seconda: 33. Recitative- Evangelist, Witnesses, High Priest: Und Wiewohl Viel Falsche Zeugen Herzutraten | Stephen Cleobury, David Thomas, Martyn Hill, Michael Chance, Michael George, Rogers Covey-Crump, Johann Sebastian Bach, Choir of King's College, Cambridge, Emma Kirkby | F♯ Minor | 0 | 11A | 87 BPM | ||
St. Matthew Passion, BWV 244: Pt. I: Recitative. Da versammleten sich die Hohenpriester (Evangelist, Chorus, Jesus) | Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D♭ Major | 1 | 3B | 111 BPM | ||
III. Herr, Gehe Nicht Ins Gericht BWV 105, 1. Coro: Herr, Gehe Nicht Ins Gericht | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Bas Ramselaar, Marjon Strijk, Johann Sebastian Bach, Nico Van Der Meel, Sytse Buwalda, Peter Frankenberg, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 89 BPM | ||
Wer ist der, so von Edom kömmt BWV 1167: I. No. 39, Der Gerechte kömmt um, BWV 1149 | Carl Heinrich Graun, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki | E♭ Minor | 2 | 2A | 74 BPM |
Section: 0.6593024730682373
End: 0.6645817756652832