Various Artists made "Waltz No. 15 from "16 Waltzes"" available on February 12, 2013. With Waltz No. 15 from "16 Waltzes" being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "The Classical Collection, Vol. 3". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. The popularity of Waltz No. 15 from "16 Waltzes" is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Waltz No. 15 from "16 Waltzes" by Various Artists having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in A Minor: I. Rondo pastorale | Ralph Vaughan Williams, Robert Haydon Clark, Consort of London | E Minor | 1 | 9A | 169 BPM | ||
Sonate N°14 "Mondschein" in C-sharp minor, Op. 27, N°2 : I. Adagio Sostenuto | Yuli Lavrénov | D♭ Minor | 0 | 12A | 76 BPM | ||
Cavalleria Rusticana: Intermezzo | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | F Major | 2 | 7B | 82 BPM | ||
Serbia strong | Various Artists | E Major | 5 | 12B | 113 BPM | ||
"Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) | The Royal Festival Orchestra, William Bowles, Sarah Ainsworth | A Minor | 1 | 8A | 121 BPM | ||
Satie: La belle excentrique: No. 1, Grande ritournelle (Piano 4-Hands Version) | Erik Satie, Aldo Ciccolini/Gabriel Tacchino | G Minor | 5 | 6A | 135 BPM | ||
Prelude No. 6, H-Moll, op. 28 | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | G Major | 0 | 9B | 98 BPM | ||
Violin Concerto No.5 in A major, K. 219 : I. Allegro aperto | RR, Lithuanian Chamber Orchestra | A Major | 1 | 11B | 120 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 0 | 8A | 125 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Camerata Romana, Eugen Duvier | D Minor | 3 | 7A | 91 BPM |
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