"Prelude No. 6, H-Moll, op. 28" by Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt was released on September 28, 1998. The duration of Prelude No. 6, H-Moll, op. 28 is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Prelude No. 6, H-Moll, op. 28's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 16 in Frederic Chopin: Polonaise - Valse No. 3 - Nocturne No. 1 - Prelude No. 6 - Mazurka No. 3 by Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Prelude No. 6, H-Moll, op. 28 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prelude No. 6, H-Moll, op. 28 by Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for String Orchestra & Basso Continuo in D minor "Old Dance": Sarabande | Genadi Cherkasov, Arcangelo Corelli, Chamber Orchestra of the Moscow Conservatory | D Minor | 1 | 7A | 86 BPM | ||
4 Impromptus, D. 899: No. 3, Impromptu in G-Flat Major | Franz Schubert, Henrik Måwe | C Minor | 2 | 5A | 96 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Cecile Ousset | E Minor | 1 | 9A | 134 BPM | ||
Romance in F Major for Violin and Orchestra, Op. 50 | Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa | F Major | 0 | 7B | 87 BPM | ||
Bach, J.S.: Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto (Opening) | Johann Sebastian Bach, Yehudi Menuhin, Bath Festival Orchestra, Christian Ferras | F Major | 1 | 7B | 79 BPM | ||
Sonata No. 15 in C Major, I. Allegro | Maria João Pires | C Major | 1 | 8B | 136 BPM | ||
Concerto in C Major for Guitar and Orchestra, RV 425: I. Allegro | Boris Björn Bagger | C Major | 4 | 8B | 171 BPM | ||
Sonate N°8 "Pathétique" in C minor, Op. 13: III. Adagio Cantabile | Yuli Lavrénov | A♭ Major | 0 | 4B | 63 BPM | ||
Water Music Suite No. 2 in D, HWV 349: IV. Andante, Allegro | George Frideric Handel, Oliver von Dohnanyi, Slovak Philharmonic | B Major | 2 | 1B | 93 BPM | ||
Wiegenlied, Op. 98, No. 2, D. 498 (arr. for orchestra) | Franz Schubert, Slovak Radio Symphony Orchestra, Peter Breiner | G Minor | 4 | 6A | 105 BPM |
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