"Wiegenlied, Op. 98, No. 2, D. 498 (arr. for orchestra)" by Franz Schubert, Slovak Radio Symphony Orchestra, Peter Breiner was released on December 3, 2021. The duration of Wiegenlied, Op. 98, No. 2, D. 498 (arr. for orchestra) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Wiegenlied, Op. 98, No. 2, D. 498 (arr. for orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Schubert For Meditation". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Wiegenlied, Op. 98, No. 2, D. 498 (arr. for orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wiegenlied, Op. 98, No. 2, D. 498 (arr. for orchestra) by Franz Schubert, Slovak Radio Symphony Orchestra, Peter Breiner having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Ellens Gesang III (Ave Maria), S558 no.12 (after Schubert’s D839) | Franz Liszt, Franz Schubert, Valentina Lisitsa | F♯ Major | 4 | 2B | 96 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Prelude No. 6, H-Moll, op. 28 | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | G Major | 0 | 9B | 98 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
16 Waltzes, Op. 39 - For Piano Duet: 15. In A Major | Johannes Brahms, Aloys Kontarsky, Alfons Kontarsky | A Major | 0 | 11B | 87 BPM | ||
Khachaturian: Spartacus Suite No. 2: I. Adagio of Spartacus and Phrygia | Aram Khachaturian, Yuri Temirkanov, Royal Philharmonic Orchestra | D♭ Major | 1 | 3B | 104 BPM | ||
Frolicsome Finale | Radio Orchestra Berlin | G Major | 2 | 9B | 141 BPM |
Section: 0.6382143497467041
End: 0.6414961814880371