"Romance in F Major for Violin and Orchestra, Op. 50" by Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa was released on 1965. Since Romance in F Major for Violin and Orchestra, Op. 50 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Isaac Stern's "Isaac Stern plays Beethoven - Sony Classical Masters" album is number 4 out of 103. Romance in F Major for Violin and Orchestra, Op. 50 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romance in F Major for Violin and Orchestra, Op. 50 by Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in E-Flat Major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | B Major | 1 | 1B | 68 BPM | ||
Valse Sentimentale, Op. 5, No. 6 | Isaac Stern | F Minor | 1 | 4A | 133 BPM | ||
The Four Seasons: 'Spring' (Concerto in E op.8 no.1): Largo | Antonio Vivaldi, Anthony Marwood | D Minor | 2 | 7A | 157 BPM | ||
Suite From Hamlet, Op. 32a: II. Funeral March - Live | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | E♭ Minor | 2 | 2A | 90 BPM | ||
Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Joshua Bell, Cleveland Orchestra, Christoph von Dohnányi | E Major | 2 | 12B | 78 BPM | ||
Valses nobles et sentimentales, M.61: 3. Modéré | Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa | E♭ Major | 0 | 5B | 129 BPM | ||
Turangalîla Symphonie: Turangalîla 3 | Olivier Messiaen, Seiji Ozawa, Yvonne Loriod, Jeanne Loriod | D♭ Major | 8 | 3B | 113 BPM | ||
Overture "A Midsummer Night's Dream", Op.21 | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 139 BPM | ||
Elégie, Op.24: Molto adagio | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | A♭ Major | 0 | 4B | 107 BPM | ||
Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 141 BPM |
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