On February 1, 2000, the song "Satie: La belle excentrique: No. 1, Grande ritournelle (Piano 4-Hands Version)" was released by Erik Satie, Aldo Ciccolini/Gabriel Tacchino. With Satie: La belle excentrique: No. 1, Grande ritournelle (Piano 4-Hands Version) being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Satie: Works for Piano". In this album, this song's track order is #35. Based on our statistics, Satie: La belle excentrique: No. 1, Grande ritournelle (Piano 4-Hands Version)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Satie: La belle excentrique: No. 1, Grande ritournelle (Piano 4-Hands Version) by Erik Satie, Aldo Ciccolini/Gabriel Tacchino having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Tango (arr. Godowsky) | Isaac Albéniz, Moura Lympany | D Major | 0 | 10B | 69 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Piano Quintet In A, Op.81, B. 155: 3. Scherzo (Furiant) (Molto vivace) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 70 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Cinéma | Erik Satie, Alexandre Tharaud, Eric Le Sage | A Major | 2 | 11B | 105 BPM | ||
Debussy: Suite bergamasque, CD 82, L. 75: IV. Passepied | Claude Debussy, Cecile Ousset | D Major | 0 | 10B | 71 BPM | ||
Rachmaniana: V. (Without Indication) | Daniil Trifonov | G Minor | 2 | 6A | 81 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM |
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