Johann Sebastian Bach, Leopold Godowsky, Roberto Cominati's 'Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): VI. Gigue' came out on April 1, 2016. The duration of Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): VI. Gigue is about 3 minutes long, at 3:20. Based on our data, "Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): VI. Gigue" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 15 in Bach & Handel: Transcriptions for Piano by Roberto Cominati. Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): VI. Gigue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): VI. Gigue by Johann Sebastian Bach, Leopold Godowsky, Roberto Cominati is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM | ||
Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande | Johann Sebastian Bach, Yo-Yo Ma | C Minor | 1 | 5A | 169 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | D♭ Minor | 0 | 12A | 108 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | C Major | 3 | 8B | 103 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM |
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