Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): VI. Gigue
Johann Sebastian Bach, Leopold Godowsky, Roberto Cominati
Bach & Handel: Transcriptions for Piano
3:20 April 1, 2016
BPM
80
Key
D Minor
Camelot
7A

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Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): VI. Gigue - Johann Sebastian Bach, Leopold Godowsky, Roberto Cominati Information

Acousticness
99%
Danceability
25%
Energy
14%
Instrumentalness
82%
Liveness
17%
Loudness
61%
Speechiness
3%
Valence
27%
Popularity
Loudness
-23.34 dB

Summary

Johann Sebastian Bach, Leopold Godowsky, Roberto Cominati's 'Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): VI. Gigue' came out on April 1, 2016. The duration of Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): VI. Gigue is about 3 minutes long, at 3:20. Based on our data, "Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): VI. Gigue" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 15 in Bach & Handel: Transcriptions for Piano by Roberto Cominati. Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): VI. Gigue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): VI. Gigue BPM

The tempo marking of Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): VI. Gigue by Johann Sebastian Bach, Leopold Godowsky, Roberto Cominati is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): VI. Gigue Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

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ISRC
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Label
L-M Records/RCA Records

Section: 0.6611781120300293

End: 0.6651327610015869