Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande - Johann Sebastian Bach, Yo-Yo Ma Information

Acousticness: 94%
Danceability: 12%
Energy: 6%
Instrumentalness: 90%
Liveness: 9%
Loudness: 60%
Speechiness: 4%
Valence: 24%
Popularity: 42%
Loudness: -23.81 dB

Summary

Johann Sebastian Bach, Yo-Yo Ma's 'Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande' came out on 1983. With this song being about 5 minutes long, at 5:22, "Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande" by Johann Sebastian Bach, Yo-Yo Ma is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 18 in Bach: Cello Suites Nos. 1, 5 & 6 by Johann Sebastian Bach, Yo-Yo Ma. The popularity of Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande BPM

The tempo marking of Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande by Johann Sebastian Bach, Yo-Yo Ma is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.

Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Concerto for Viola d'amore, Lute and Orchestra, RV 540: I. Allegro	Antonio Vivaldi, Amsterdam Baroque Orchestra, Yo-Yo Ma, Ton Koopman	D♭ Minor	1	12A	140 BPM
Cello Concerto in A Minor, Wq. 170: I. Allegro assai	Carl Philipp Emanuel Bach, Julian Steckel, Stuttgart Chamber Orchestra, Susanne Von Gutzeit	A Minor	2	8A	83 BPM
Concerto for Oboe, Violin, Strings and Continuo in B Flat Major, RV 548: II. Largo	Antonio Vivaldi, David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock	F♯ Minor	0	11A	80 BPM
Cello Concerto in A major, Wq. 172: Cello Concerto in A major, Wq. 172: I. Allegro di molto	Carl Philipp Emanuel Bach, Alison McGillivray, The English Concert	A♭ Major	1	4B	120 BPM
Piano Trio No. 1 in D Minor, Op. 49: III. Scherzo: Leggiero e vivace	Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax	D Major	1	10B	148 BPM
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo	Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra	E Major	0	12B	140 BPM
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo	Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek	D Major	1	10B	119 BPM
Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato	César Franck, Renaud Capuçon, Khatia Buniatishvili	F♯ Minor	1	11A	73 BPM
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 12 in F-Sharp Minor, Op. 30, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song)	Felix Mendelssohn, Péter Nagy	A Major	0	11B	85 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8365576267242432

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