"Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato" by César Franck, Renaud Capuçon, Khatia Buniatishvili had its release date on 2014. This song is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The song is number 1 out of 8 in Franck: Violin Sonata, FWV 8 - Dvořák: Romantic Pieces, Op. 75 by Khatia Buniatishvili, Renaud Capuçon, Antonín Dvořák, César Franck. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato by César Franck, Renaud Capuçon, Khatia Buniatishvili is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Khatia Buniatishvili | G Major | 0 | 9B | 76 BPM | ||
Piano Trio in A Minor, Op.50, TH.117: Tema: Andante con moto | Pyotr Ilyich Tchaikovsky, Gidon Kremer, Giedre Dirvanauskaite, Khatia Buniatishvili | E Major | 0 | 12B | 74 BPM | ||
Symphony No. 3 in F major, Op. 90: III. Poco allegretto | Seattle Symphony Orchestra | C Minor | 0 | 5A | 92 BPM | ||
Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati) | Christoph Willibald Gluck, Hélène Grimaud | D Minor | 0 | 7A | 70 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Elgar: La capricieuse, Op. 17 | Edward Elgar, Renaud Capuçon, Jerome Ducros | E♭ Major | 1 | 5B | 128 BPM | ||
Prélude, Fugue et Variation, Op. 18: I. Andantino. II. Lento (Arr. pour piano) | César Franck, Nikolai Lugansky | B Minor | 0 | 10A | 70 BPM |